The North American 2nd World War and the English 2nd World War were completely different experiences. Before their joint invasion of continental Europe in June 1944 the 2 states were mostly engaged in separate theatres. Even after D-Day the US continued to battle on 2 fronts. Their first and last enemy was the Empire of Japan. The difference has been reflected for over sixty years in the literature, film and lingo from the war on both sides of the Atlantic. For our own Dunkirk, El Alamein and Battle Of Britain, the north Americans have Bataan, Iwo Jima and Midway. Most of the great English war films told stories of the Atlantic sea battles, North Africa or the skies over East Anglia in the summertime of 1940. The US citizens looked east, to vicious, generous conflicts on inhospitable outcrops 1,000 miles from anywhere, in the middle of the Pacific Sea . Steven Spielberg’s film Saving Sergeant Ryan and the Television series it electrified, Band of Brothers, weren’t naturally unique in replaying the North American role in the defeat of Fascist Germany in Europe.
But Spielberg was probably going to be forced to follow them with a glance at his states’s most serious concern : the war that stretched from aircraft carriers duelling like legendary monsters in the Coral Sea to the atom bomb dropping on Nagasaki 3 years on. Spielberg and his partner in the concern, Tom Hanks, started in 2003 to think about applying the Band of Bros idea to the struggle in the Pacific. Spielberg knew the American historian Stephen Ambrose, who had written a successful book on the Normandy landings, was also having a look at the Pacific. The film-maker advised a collusion. Stephen Ambrose was too ill to take part and passed the project on to his boy Hugh. Hugh Ambrose was afterwards employed by Spielberg to help develop the story of The Pacific. Having submerged himself in the topic matter he felt ready to produce his very own, parallel, literary treatment. So he wrote it. The Pacific is so more the book of the film than the book which electrified the film, or rather the Television series which may be broadcast the month after next. It is not like most other books-of-the-film as it is, in its own right, very good. The Band of Siblings formula is to inform the story about an army campaign thru the experiences of a few fighting men. In covering the eleven months between the D-Day invasions and the decline of Berlin, the first Band of Siblings was following a comparatively short and linear story. The struggle in the Pacific was not like that.
It was fought for 44 months on land, sea and air over millions of square miles. It concerned 2 superpowers : one an imperial hereditary theocracy ; the other a temporal republican democracy. The conflict in Europe was contested customarily between Continentals , regardless of if a lot of them had transplanted to America. The conflict in the Pacific was fought by blokes that had almost nothing in common but their humanity, and who accordingly felt enabled to reject even that.
The characters selected by Ambrose to inform his story overlap but aren’t linked with the men in the Spielberg / Hanks Television series, which is basically based primarily on 2 established Pacific war memoirs, EB Sledge’s With the Old Breed and Robert Leckie’s Helmet for My Pillow. Sledge and Leckie both feature in the book, but Ambrose included in his five-strong central cast 2 guys who you’ll not see on TV. One was a flier and the other a US sea who escaped from a Japanese captive of war camp on the Philippines and became concerned in resistance terrorist movements.